Couple of weeks ago I went tand saw JTE at a packed out Factory Theatre in the People's Republic of Marrickville which was great but it wasn't enough so I ponied up the considerable ticket price for an intimate "secret show" at Gardel's Bar in Surry Hills. Gardel's is above Porteno, an Argentinian eatery which is the current it joint of our Harbour city (praised by Anthony Bourdain the other day.) I need to go back and eat there one day, it looked very cool going up the stairs to the bar. Finger food was included in the price and was definitely a higher class than your average party pies, the meat in the wee hamburgers in particular was deliciously smoky and richly flavoured.

The crowd definitely went with the location. I was the only one gauche enough to be wearing a JTE shirt and to turn my head when he walked through the crowd. The word "hipster" is pretty played out at this point but this is my scientific breakdown of the attendees by sartorial category.

He has come a long way in four years, that's for sure.

What hasn't changed is the presence and as usual he had everyone eating out of his heavily inked hands.

Here's a video I took.

Got a few new 8tracks mixes up ...

This Week's Mix #41: I Must Live Until Morning from flopearedmule on 8tracks.

At the Factory, Marrickville this Friday.

This is going to be good, Sydneysiders presented by 2MBS radio show Stormy Monday. Starts at 7pm with a film about New Orleans Mardis Gras and then Louisiana Roadshow. $20 in, Marrickville Bowlo February 18th.

This Week's Mix #38: Throwing Good Love After Bad from flopearedmule on 8tracks.

Here is my most recent 8tracks. Also here, I shall talk about some of the folk on it. Isn't St. Gabriel kind of saucy looking in this depiction?

Ndidi Onukwulu
She's Canadian (now based in Paris), sings soul. I can't help but compare her voice to Winehouse but the band is not the punchy Daptone sound. A softer more folky sensibility but still very funky and cool for that. She has a new album out called The Escape under the name Ndidi O, which I think has been released in Europe and Australia but not North America yet.

Creole String Beans
On Twitter, New Orleans music mag Offbeat was listing its 2011 award recipients the other day, one of which was Creole String Beans for Best Roots Rock. I found thave been really enjoying the album Shrimp Boots and Vintage Suits. What this is, is good old fashioned SWAMP POP. What a great genre of music.

Baloji
The album is Kinshasa Succursale - African/hip-hop out of the Democratic Republic of Congo.

Guy Clark tribute - This One's for Him
I generally pass on tribute albums for artists I really love, they are largely redundant to me. This one would ordinarily be no different. But it is different in feel though since most of these artists have a personal relationship with Guy, sometimes very close and going back decades and so the friends playing loving tribute to a friend vibe of it is nice and missing from the average star studded tribute which can be fairly sterile. For that reason I find it a very warm experience to listen to, because of that intimacy. Maybe my favourite moment though is Kris K's Hemingway story.

Jo-El Sonnier
One of the best indie labels going in any genre is Valcour which specialises in Cajun and Creole. An excellent thing they've done recently is digitise performances from Festival Arcadiens et Creoles from 2002 with promise of more to come.
Jo-El Sonnier is singing about Amédé Ardoin, father of both Cajun and Creole music (ie the "whiote" and "black" versions of the same music.) I recently picked up a digital copy of Tompkins Squares' Mama I'll Be Long Gone: The Complete Recordings of Amédé Ardoin , most which feature Cajun legend Dennis McGee on fiddle (for fans of the show Treme, in the episode with Davis and Annie at the Cajun mardis gras, the rituals started at McGee's grave) . His death in 1942 (November 3, remind me to post something on the 70th anniversary) was mysterious, violent and possibly racially motivated. I wish i knew what the lyrics to Sonnier's song are saying. Guess I'll have to learn French.

Rebirth Brass Band
It's almost Mardis Gras and the RBB have a new record out. It's really good, naturally.

Direct link here. Only 13 songs so some major culling but it'll do.

And who'd have thought, after all
Something so simple as rock'n'roll would save us all?

Lucinda Williams - Blessed
This is not from the album, it's her song from the The Lost Notebooks of Hank Williams project which I forgot to include on these lists anywhere else.

Dennis Coffey - self-titled FUNK. (super name dropping in this vid, but he's earned it)

The Decemberists -- The King is Dead

Middle Brother -- self-titled

Deer Tick -- Divine, Providence

Country Cajun Revival -- The Real Thing

And some of the rest that made life worth ploughing on.

Hayes Carll -- KMAG YOYO

Charles Bradley -- No Time for Dreaming Seeing him next March.

Tom Russell - Mesabi

Eddie Roberts & The Fire Eaters - Burn

The Civil Wars - Barton Hollow Current Americana It duo.

Lindi Ortega - Little Red Boots

The Sheepdogs -- Learn and Burn ROCK

Robert Ellis - Photographs This is a curious album in that a couple of songs are tears in my beer country and others are more low fi-y straight ahead folky. All good.

Cash Box Kings -- Holler & Stomp Not to be confused with Hayes Carll's "Stomp & Holler."

Jimmie Dale Gilmore & The Wronglers - Heirloom Songs The Wronglers include Warren Hellman bazillionaire investment banker dude who bankrolled Hardly Strictly Bluegrass in San Fran, and who died recently. I hope he provided for it 'cos I've always dreamed of going one day.

I snuck another into here which makes my top ten a top twelve.

Bei Bei and Shawn Lee -- Into the Wind
Another "world fusion" offering that works, this time with guzheng (Chinese stringed thingy) and doofy doofy beats.

Buddy Miller -- The Majestic Silver Strings 'Surple" still makes me laugh.

Lydia Loveless -- Indestructible Machine She's 21 or something ridonkulous.

The Sweetback Sisters -- Looking For a Fight The Sweetback Sisters are quite hilarious, as well as lovely to listen to. My favourite song on the album is "Too Many Experts" because it basically sums up the entire Internet. (this video is not that)

Brennen Leigh -- The Box Just super good country music, we still like that round here.

Tedeschi Trucks Band -- Revelator Susan and Derek, bluesing it all up in you.

These are my top ten eleven in two instalments. Dave Alvin is pretty clearly number one. Rest much of a muchness. I'll do another post or two with the other music I enjoyed most this year.

Dave Alvin -- Eleven Eleven
This record is on the short road to being one of those where I can say I know every word to every song. Perfect balance of styles and a host of memorable characters, sketched in bluesy economy, brought to life by Dave's rumbling baritone and propelled by many a memorable lick. Here's one of my favourite songs, "Johnny Ace is Dead."

Gillian Welch -- The Harrow & The Harvest
Do I need to explain? No? Super.

JuJu -- In Trance
JuJu is Justin Adams and Judeh Camara who play the electric guitar and the Gambian ritti (one string violin) respectively. Their previous album made my Favourites list last year, and their albums will I suspect keep making the list as long as they do them. It is approaching banal these days to talk about the connections between western rock n roll via the blues and African genres, but just sticking the two traditions together is not guaranteed to produce anything interesting. These guys make it work perfectly.

The Bo-Keys -- Got to Get Back
Memphis funk super group (including the only survivor of the plane crash that took Otis Redding). Just what it says on the box.

Frank Turner -- England Keep My Bones
Well now. I had never heard of this bloke until someone included him on an early Best Of list back in November and now here we are. A punkier Billy Bragg? A more sarcastic Springsteen? Well, whatever I like every song on this album. I like the hookyness of every track, I like the acapella ditties about 1066, I like the atheist singalongs, I like the name checking of Johnny, Dylan, Jerry Lee and Dostoyevsky.

Zoe Muth and the Lost High Rollers -- Starlight Hotel
Do I need to talk about the attitude, the voice, the band and the lyrics? Or do I just need to say that it has a song on it called "If I Can't Trust You With a Quarter (How Can I Trust You With My Heart?)"

Tickets for Byron players' side shows have started going on sale, and so the Easter bottleneck shuffle has begun.

I haven't experienced any great angst with my schedule the last couple of years but in 2012 Lucinda Williams and John Hiatt are playing Sydney the same night, Tuesday 3rd April. What to Do!!!???

Actually the dilemma was not a big one in the end. My devotion to both is equal, really I can't split them. I've seen both live in the last couple of years and neither seem likely to give up touring or recording in the foreseeable future. So it comes then down to the venue, and that is, as the young folk say, "a no brainer." John is playing the Metro and Lucinda the State. The Metro: smallish, general admission where you can get up the front with a bit of rock and roll in the air versus the State where your only option is to sit and clap politely. Lucinda's ads say "One Show Only" so that is sad but man I am looking forward to "Walk On", "Slow Turning", "Tennessee Plates" etc etc in that venue.

Speaking of no-brainers Justin Townes Earle is at the Factory the night after. Never miss him live.

Steve Earle is going solo at the Factory the following week, through an early offer I got some front row seats and Steve solo is still a worthwhile proposition despite my mostly indifference to his last decade of output.

Also at the Factory in March is Charles Bradley, the latest retro soul revelation from Daptone.

I gather Trombone Shorty is also playing at the Metro but tickets aren't on sale yet. I'll also check out Bettye Lavette and Nick Lowe sideshows to see if I can fit them in.

Before all that in January I'll be seeing the Cambodian Space Project at the Vanguard and Hanggai at the Basement. Cambodian Space Project traverse the same general territory combining Khmer pop and western rock as the better known Dengue Fever. although CSP are actually based in Phnom Penh.

Hanggai play Mongolian folk music with electric guitars and a punk attitude. I find them quite enthralling.

Phew.

OK so don't miss this one. Not only perennial FEM hearththrob Andy Baylor but a bunch of other great acts covering yer roots spectrum. Blues with Continental Robert (of Dynamic Heptonics fame), singer-singwriter soul with Tracey Miller and Pia Andersen bringing the vintage heat. So, hello? See you there.

PS get the new Baylor Brothers disc here.

Neglectful as I've been, I've accumulated a lot of music worth mentioning. So, here they are from the first 4 months of 2011. I've done an accompanying 8tracks of selected tracks. I'll do some more ... later. (I started the draft of this on March 18th, gimme a break.) All of them I recommend - I wouldn't mention if I didn't - but if I had to pick a couple to particularly force on you it'd be Colin Gilmore, Buddy Miller and representing non-country/folk Justin Adams.

Billy Eli - Hell Yeah
Texas country-rock on the looser side of Steve Earle circa 1990 which is fine since I haven't dug much ol Steve's done since 1990 (the new record is OK but dull, I might have more to say once I've settled on that as my response). Got into them when I heard "Cheese Enchiladas" on Freight Train Boogie, that's a fun song.
Video of Tore Down in Texas

Colin Gilmore Goodnight Lane
Quote from Sylvie Simmons's four-star Mojo review quote on website:

I've described him before as a West Texan Nick Lowe for his songs structures and their instant sing-along quality (Circles In The Yard; Goodnight Lane; Hand Close To Mine). But deep Texan roots show here on the fine Llano, a mature piece of country songwriting.

I'd say the Texas roots show through it all but yeah.

Bit of a children of other people whose CDs I have theme to this list. Colin is Jimmie Dale's son.
Video of Running Circles in the Yard and Black Vines

Lukas Nelson Promise of the Real
This guy's dad is named Wiliie, you've probably heard of him. Heck, given the number of collaborations the Red Headed Stranger pumps out you've probably done a duet with him. Lukas, like Colin, is making his way playing in dad's band but also striking out with this own thing. His voice can be kind if startling, undeniably you can hear Willie in there but it's a funhouse mirror version or the slight differences that catch you out with a twin. But anyway, it's a very good album in its own right.
Here's a video of Four Letter Word but you know me, I love the ballads and I LOVE LOVE LOVE "Want Me Around" so here it is: Want Me Around.

Yvette Landry Should Have Known
Yvette Landry is part of the most excellent all-female Cajun outfit Bonsoir Caitin and this is her first solo album of excellent country, cajun influenced for sure but more straight ahead country singer songwriter sound. Her crisp voice has the ability to be both sweet and worldy, like an old friend but one you know will cut you down if you need it. The songs are all terrific, as is the accompaniment, as you'd expect since she's quite a hot player herself.

Very professionally shot "Can't See Me Without You" (so wish the sound was better), ditto Too Tired More upbeat is 120 Proof. This is kinda a dodgy video (people: use your iPhone HORIZONTALLY when videoing for Bob's sake) but I have to draw attention to it since it features not only Bil Kirchen but my favourite recent songs on his of the great, great "Hammer of the Honky Tonk Gods" album of a few years ago.

Justin Adams and Juldeh Camara Tell No Lies
Another cross-cultural excursion that gets it right. Lots of good vids at the above link. I think what really hooked me was the righteous Bo Diddley beat snaking through the thing without sounding like a forced "hey I know! Let's put traditional African and African American music together, hey cool." It works on a higher level on from novelty, and has melodies you can't argue with.

Bei Bei and Shawn Lee Into the Wind
Another for the "world fusion" fans. Shawn Lee is a doof doof guy who did an album of christmas carol remixes which I like to pull out that time of the year. Bei Bei is "an internationally acclaimed Gu Zheng (Chinese Zither) performer." Its got that late night SBS movie soundtrack cool thing and like the combination. Video of "Into the Wind" and "The Master Room"

Buddy Miller Majestic Silver Strings
This was one of the Big League of Americana discs due out this year along with Steve, Emmylou and LUcinda (I like the latter two quite a lot) and it doesn't disappoint. It's sort of redundant with Buddy Miller and that line up to have to do much spruiking. The high point for me is the mesmeric "Dang Me" - I've become quite obsesed with the word "surple."

Georgette Jones Slightly Used Woman No prizes for guessing her father, Tammy Wynette is her mother. Even without the pedigree, being on Heart of Texas record label (Amber Digby, Justin Trevino) you'd know she was selling a solid traditional style of country. And so it is. All eyes will be on "You And Me And Time", a duet with dad and it is a poignant country confessional, and the rest is, well, solid traditional country.

Went off. Would've liked to see some horns next time to fill out the soul but the guitar, bass drums combo did pretty good.

Brief vid of some of the encore, the sound is fuzzy because I was right next to the amps on front of stage.

I found a lot of great music perusing the various Best of 2010 lists, so much so that 2010 listening is going to bleed way, way into 2011. I also (followed a link from somewhere lost in the tubes of internet time now, apologies) found the Freight Train Boogie podcast a weekly survey of what's new in Americana, roots and country (does that cover everything?) It's hosted by Bill Frater who keeps the commentary personable and informative and still gets in a good 10-15 songs each hour long show and it's a good mix of well known or established artists and a bunch of folk I've never heard of (it even skews a little to the independent since all the tracks are played with permission and they're the most likely group to respond to a request), many of whom have become Must Acquires.

I've been listening religiously the last few weeks, starting with the end of 2010 and first couple for 2011 and going back to download everything in the iTunes archives. This guy is going to cost me some serious money. There's a related blog with each week's new releases. So yeah, can't say enough about it and you should check it out.

Bruce Springsteen, The Promise This is truly beautiful stuff. Also essential is watching the HBO documentary of the making of Darkness on the Edge of Town, with amazing footage of inside the studio and lots of real insights into the artistic process. Darkness was actually the first Springsteen album I owned so I've always had a soft spot for it, seeing the album or mores worth of great material from those sessions gives a better understanding of what the album is, on relistening, as well as adding 20 odd quality tracks to our collections. It is a case of what the album could have been but was not, by deliberate choice. And it's not often we really get that level of stickybeaking into creation. Even people not into Bruce would benefit from seeing the doco, it's a real close examination of the artistic process.

Bob Dylan, The Witmark Demos: 1962-1964 (The Bootleg Series Vol. 9) Well it's Bob and lots of good stuff but not as essential as the Bruce for the reasons above. Recently I have been obsessing over some gospel era live shows and those are my personal pick for Bootleg Series 10. I know that at least for April 20, 1980 Massey Hall Toronto gig there is an officially recorded by Sony audio and video record. Bob's ambivalence or otherwise about the era is unknowable of course, but I'd love to see something new added to the official record. Of course, the unofficial record has been ahead of the curve for decades, this article is worth reading for that, "the wisdom of bootleggers over gatekeepers"

Riley, Grandma's Roadhouse As this Nashville Scene article says "long lost country rock gem" featuring Gary Stewart.

Everything from Soundway To wit, The World Ends: Afro Rock and Psychadelia in 1970s Nigeria, Nigeria Special, Volume 2: Modern Highlife, Afro Sounds & Nigerian Blues 1970-6 and The Sound of Siam : Leftfield Luk Thung, Jazz and Molam from Thailand 1964 - 1975

Next Stop .... Soweto Volumes 2 and 3 series from Strut. Free tracks, info and sounds at the Volume 2 and Volume 3 microsites. I'll single out Vol. 3 Vol. 3: Giants, Ministers and Makers: Jazz in South Africa 1963-1978 since the rock, funk soul crate digging comps are a dime a dizen these days so I really loved hearing the jazz side of things.

Crazy Heart, The Soundtrack See here.

Kris Kristofferson, Please Don't tell Me How the Story Ends, The Publishing Demos 1868 - 1972

Keith Richards, Vintage Vinos - Tres cool collection of Keef's non-Stones work, solo and with the X-Pensive Winos.

A short (16 songs, just over an hour) selection of tracks:

And in no order the final list of the records covered in the previous six posts, which are all here.

Marshall Chapman, Big Lonesome
Buddy Guy, Living Proof
The Fabulous Ginn Sisters, You Can't Take a Bad Girl Home
Phosphorescent, Here's To Taking it Easy
Sharon Jones & the DapKings - I Learned the Hard Way
Aloe Blacc, Good Things
The Secret Sisters, The Secret Sisters
American Graveyard, Hallelujahland
Whitey Morgan and the 78s, Honky Tonks and Cheap Motels
Hellbound Glory, Scumbag Country
Joe Pug, Messenger
Chris Altmann, Que Paso
Mary Gauthier, The Foundling
Tom Jones, Praise & Blame
Marty Stuart, Ghost Train
Justin Townes Earle, Harlem River Blue
Shelby Lynne, Tears, Lies & Alibis
Cotton Jones, Tall Hours in the Glowstream
Ray Wiley Hubbard, A. Enlightenment, B. Endarkenment Hint There is no C
Lil Band O Gold, The Promised Land
Raul Malo, Saints & Sinners
Los Lobos, Tin Can Trust
The Tallest Man on Earth, the Wild Hunt
Chelsea Crowell, self-titled (honorary 2009 ring-in)
Huun-Huur-Tur, Ancestor's Call
Gregory Porter, Water
Lucky Peterson, You Can Always Turn Around
The Carter Family III, Past & Present
Elizabeth Cook, Welder
Mike Stinson, The Jukebox in Your Heart
Cedric Watson et Bijou Creole, Creole Moon: Live at the Blue Moon Saloon