Flop Eared Mule A Country Music Death Beast and Worker in the Dylan Industrial Complex | Sydney, Australia | Est. 2004

I've been listening to the audiobook of Michael Conolley's The Scarecrow and the moral is all about how easy it is for freaky serial killers to track your every move via the Internet. Like, you can know exactly what I'm listening to when via my lastfm page which updates what I'm playing live. Have at it, stalkers! Incidentally, this is the first novel I've read where people actually use the Internet the way I do -- not that I stalk people and hide them in the car boot, but I mean, look any and all things up in Google Image Search as second nature. Anyway.

There were the heady days of 26-28 August where I listened to Nina Simone straight for two days. You can never have two much Nina, but this Philips box set is quite indispensable as the definitive collection of the Nina force, force of personality and force of musicianship. The peak of her vision realised (not that she had troughs) and a sublime listen from beginning to end.

More lately, I had a big raid on eMusic which I haven't done since the changes in July. But a few things showed up I particularly wanted and they started giving people 50 "loyalty" credits - more than a whiff of desperation about that move but I'll take 'em. I more or less get every new Afrobeat or Afrorock release that comes up, the latest is a really fabulous collection called The Legends of Benin. The label Analog Africa is always a solid bet. The first track "Dadje Von O Von Non" by Gnonnas Pedro & His Dadjes Band is pretty much the perfect (to me) family reunion between African and "western" funk. Here's Honoré Avolonto - Na Mi Do Gbé Hué Nu on YouTube. More such meetings are on Many Lessons: HipHop, Islam, West Africa from the "world" music specialists Piranha out of Germany (as so many of these labels are), I listen to a bit of hip hop but my tastes are quite narrow (so far) and lean towards the fusiony end of the spectrum and it's good if you like such things.

And then I got Town and Country by Humble Pie. Going through a 60s British blues/rock supergroup phase. Still chucking on Blind Faith a lot. Using this ripper music search engine an eMusic subscriber developed I discovered Humble Pie. You plug in an act and it spits back a heap of similar/related artists. It brings up a lot of artists I know which is good because you can see how well calibrated to the original name it is, but also heaps of new folk. It's optimised for eMusic (clicking on the photos takes you to their eMu page and greyed out photos means no albums on eMu) but it's great just to find people generally. Anyway, Humble Pie, apparently "hard rock" (70s performances on YT bear this out) although this is their acoustic blues-rock album. I don't really know anything about Peter Frampton and Steve Marriott, apart from their names (years of reading Mojo and Uncut cover to cover) but this is pretty good in a generic late 60s British rock blues type way but it's one of the generic sounds I like.

Natural Born Boogie:

El Barrio: The Bad Boogaloo Nu Yorican Sounds 1966-1970 brings the music of Spanish Harlem to you. Features La Lupe, the Queen of Latin Soul.

Also features the track Happy Soul With a Hook by Dave Cortez which I seem to have on about five different compilations by now. For Latin but with a much deeper level of pure funk, try Si Para Usted: The Funky Beats of Revolutionary Cuba. Waxing Deep is/was a great Latin soul/funk podcast, the podcast is in hiatus but they've branched out into being a label. Si, Para Usted: The Funky Beats of Revolutionary Cuba Volume 1 was a great collection of 60s and 70s tracks, and so I immediately bought Volume 2 and even bought a hard copy. Having the liner notes is fine, and it's nicely put together all round.

I've got the new Allen Touissaint record Across The Bright Mississippi on order so I went revisiting his oeuvre, which basically means ... take your pick of any New Orleans music from the 1960s on. Super Bad by Don Covay is according to Herr Doktor Guugle a collection of the soulmeister's 70s cuts and its quite an intriguing mixture of styles from rock (one song sounds like mid 60s Stones), country ballad touches to varying flavours of soul and funk a la New Orleans. Allen Toussaint - Saint Of New Orleans is a compilation with a couple of songs sung by Touissaint and a stack of others written and produced by his. This Lee Dorsey/Toussaint track isn't on there but it's just too good.

And finally, a version of "Sea of Heartbreak" from Rosanne Cash's forthcoming album featuring Bruce Springsteen got released on iTunes this week. Sea of Heartbreak is one of my favourite songs. Cash slows it right down, for a song about how sad, lonely and adrift the singer is, it's usually done in a very bouncy way. Bruce might be trying too hard to croon in the background, let Bruce be Bruce and not Ray Price but I like it more each time I hear it. The chorus is still one of the most singalongable in history.

Country music death beats fear not because I have the new Delbert McClinton, the new Guy Clark, the new Kris Kristofferson and some others coming up in the rotation!