Flop Eared Mule A Country Music Death Beast and Worker in the Dylan Industrial Complex | Sydney, Australia | Est. 2004

I first sought out jazz great and all round hoyden Anita O'Day ( real surname: Colton. As she explains in the movie O'Day is Pig Latin for "dough" - "and I wanted to make some!") earlier this year after picking up a remaindered copy of Da Capo Best Music Writing 2002 and reading Matthew C Duersten's article "The Moon Looks Down and Laughs: The wonderful, horrible jazz life of Anita O'Day." Jazz has never been my main thing but it seemed odd I had never even heard of her, especially as at the time of her 2006 death she was described as the "greatest living jazz singer" and one of the only deemed special enough to be spoken about next to Ella and Billie.

The doco on her which sceened at the Sydney Film Fest on the weekend (official trailer at YouTube here and a longer version here) was highly enjoyable, informative and lovingly done. I hope it makes its way to the telly so everyone can see it, and I can see it again. It covered her musical career - including the innovations she brought to the role of swing band "canary" and her unique singing style - plus her embrace of not just jazz music but "the jazz life." Early busts for marijuana got her tagged "The Jezebel of Jazz" (a boon for PR and ticket sales) and a long period of heroin addiction followed. This is an important part of the story but I'm glad it didn't dwell voyeuristically on other aspects of her personal life. I've ordered her autoiography High Times, Hard Times so I'll get the rundown then. Opening lines: "Getting pregnant while single was something I don't think my mother ever got over. That was a really heavy situation in 1919. Girls killed themselves, became prostitutes or got married and carried the guilt with them all their lives. Mom took the last route." Dad left and married ten more times after that.

Interspersed with excellent archival footage, comments from jazz musos, jazz critics and friends there is Anita herself on home video at about age 85 or 86 larger than life, hanging out at a dusty Californian racetrack, detailing Charlie Parker's prefered method of prepping dope, and narrating the improbable story of her survival. Footage of her smackdown of Bryant Gumble in an 80s interview brought cheers from the crowd. She's pretty much a full blown James M. Cain character, and loving it. That would be fun, but she also happens to be an endlessly fascinating and moving musician too. There's a lot of interest music talk in the doco, stuff about singing on the eights and vibratos and beats and whatnot which poor little me doesn't get fully, but there is much enlightenment. For instance how she would study each instrument's part until she could improvise each one. They feature this Four Brothers example, a piece written for four saxaphones but performed with three plus Anita. After rock and roll swept aside the jazz vocalists in the early 60s, she recorded and toured extensively in Japan through the 1970s and it's this period which I know best (because that era is on eMusic but the earlier Verve stuff isn't - still much exploring to be done.) She does a fantastic version of Leon Russell's "Song for You" on one of those records.

If I ever get my computer back I'll post a couple of my fave songs.